This handsome book of hours was illuminated by two associates of the Bedford Master, who worked in Paris from around 1410. The Bedford Master is named after a book of hours and a breviary produced for John of Lancaster, Duke of Bedford and brother of King Henry V, when he was regent in Paris after the victory at Agincourt.
Hear about the decorative richness, bright and colourful palette and a complex and lively approach to narrative, which characterise the Bedford Breviary present in this miniature of the Flight into Egypt.
Flash Player Update Required
To view the Flash content available on this web page you must have Flash Player version 7 or higher installed. You can download the latest Flash Player for free. Alternatively, you may need to disable software such as a Flash AdBlocker and refresh your browser.
Download
Download the audio file by right-clicking on the 'Download...' link below and saving. Need help?
This audio tour is narrated by the curator of The Medieval Imagination, Professor Emeritus Margaret Manion AO. Margaret’s specialist area of research is medieval and Renaissance art history and she has published a substantial number of books and articles, especially on illuminated manuscripts.
Illustration
Book of Hours (Use of Paris) (detail), France, Paris, c. 1440 - c. 1450, Artists: associates of the Bedford Master, Fitzwilliam Museum, Cambridge, McClean MS 81, fols. 76v-77 (cat. no. 52)
Transcript
This manuscript, produced in Paris towards the middle of the 15th century, is an excellent example of the popular prayer book, the book of hours, at the peak of its development in the French capital.
The Flight into Egypt – one of the scenes in the narrative cycle of the Infancy of Christ – frequently introduces, as it does here, the canonical hour of vespers in the Little Office, or Hours of the Virgin; this was a key devotion in the book of hours. The scene is rendered with courtly dignity and elegance: Mary, robed in a rich blue cloak lined with gold and seated side-saddle, formally displays the swaddled Christ child to the reader. Pronounced golden haloes differentiate the couple from St Joseph and the angel, who appear as attendants on either side. The small chest carried by the angel also adds a charming genre touch.
The panoramic landscape and the reflections in the river are a reminder of the exploration of atmospheric and naturalistic phenomena undertaken by these artists, at the same time indeed as they were prolonging some of the dominant characteristics of courtly international style. The decorative borders of this manuscript are also very finely crafted. Coloured acanthus-leaf sprays, which tend to become more lush as the century progresses, are here arranged around vertical axes on either side of the miniature. And beautiful sub-patterns and motifs are related to the fine ivy-leaf and flower motifs, which persist from the decorative vocabulary of an earlier period.